|
M.S.G.
|
Reviews Page
|
|
|
|
Book Review:
Harry Potter and The Order of Phoenix
As his fifth year at Hogwarts School of Witchcraft and Wizardry approaches, 15-year-old
Harry Potter is in full-blown adolescence, complete with regular outbursts of rage, a nearly debilitating crush, and the blooming
of a powerful sense of rebellion. It's been yet another infuriating and boring summer with the despicable Dursleys, this time
with minimal contact from our hero's non-Muggle friends from school. Harry is feeling especially edgy at the lack of news
from the magic world, wondering when the freshly revived evil Lord Voldemort will strike. Returning to Hogwarts will be a
relief... or will it?
The fifth book in J.K. Rowling's Harry Potter Series follows the darkest year yet for our young wizard, who finds
himself knocked down a peg or three after the events of last year. Somehow, over the summer, gossip (usually traced back to
the magic world's newspaper, the Daily Prophet) has turned Harry's tragic and heroic encounter with Voldemort at the
Triwizard Tournament into an excuse to ridicule and discount the teen. Even Professor Dumbledore, headmaster of the school,
has come under scrutiny by the Ministry of Magic, which refuses to officially acknowledge the terrifying truth that Voldemort
is back. Enter a particularly loathsome new character: the toadlike and simpering ("hem, hem") Dolores Umbridge, senior
undersecretary to the Minister of Magic, who takes over the vacant position of Defense Against Dark Arts teacher--and in no
time manages to become the High Inquisitor of Hogwarts, as well. Life isn't getting any easier for Harry Potter. With an overwhelming
course load as the fifth years prepare for their Ordinary Wizarding Levels examinations (O.W.Ls), devastating changes in the
Gryffindor Quidditch team lineup, vivid dreams about long hallways and closed doors, and increasing pain in his lightning-shaped
scar, Harry's resilience is sorely tested.
Harry Potter and the Order of the Phoenix, more than any of the four previous novels in the series, is a coming-of-age
story. Harry faces the thorny transition into adulthood, when adult heroes are revealed to be fallible, and matters that seemed
black-and-white suddenly come out in shades of gray. Gone is the wide-eyed innocent, the whiz kid of Sorcerer's Stone. Here
we have an adolescent who's sometimes sullen, often confused (especially about girls), and always self-questioning. Confronting
death again, as well as a startling prophecy, Harry ends his year at Hogwarts exhausted and pensive. Readers, on the other
hand, will be energized as they enter yet again the long waiting period for the next title in the marvelous, magical series.
(Ages 9 and older)
|
|
|
|
Featured Review:
“ Behind every
great love
is a
great story.” |
The movie focuses on an old man reading a story to an old woman in a nursing home. The story he reads follows two young
lovers named Allie Hamilton and Noah Calhoun, who meet one evening at a carnival. But they are separated by Allie's parents
Noah to write her for several years, Allie meets and gets engaged to a handsome young soldier named Lon. Allie, then, with
her love for Noah still alive, stops by Noah's 200-year-old home that he built for her, "to see if he's okay". It is evident
that they still have feelings for each other, and Allie has to choose between her first love and the man her parents approve
of.
Starring: Rachel McAdams, Sam Shepard, James Marsden, Meredith Zealy, Ryan Gosling, Gena Rowlands
Directed by: Nick Cassavetes
Produced by: Jan Sardi, Mark Johnson, Jeremy Leven, Lynn Harris
Rushmore Wes Anderson, director
One of the sweetest and funniest movies of the 90s. Some people didn't like the main character, but I found him fascinating
and charming in a squirmy sort of way. Also one of the best and least contrived happy endings I've seen in a movie recently.
Bill Murray is great!
|
Music Review
Hoobastank: Reason
Everyone knows that feeling when you get really excited by a song and go out and buy an entire album – and are
then let down when you find that not only is that the only good song on the album, but they are forced to listen to it so
often that you soon tire of it and the entire event becomes an exercise in how to spend $17 on a piece of shiny round plastic.
This is how Hoobastank’s second album, The Reason, pans out. The initial sign of death is the fact that the best song
on the album is also the title track. So the reason The Reason fails is because of “The Reason.” I’m dizzy.
“Out
of Control” sounds like the type of song you’d hear at a frat party: loud, soulless guitar with ironic lyrics
that are shouted occasionally with just the right amount of feeling and angst. “What Happened to Us?” is another
heartfelt rager that makes you feel the pain that a millionaire in his 20s must feel when he has lost love. It has a mellow
guitar and some good vocals that descend into gruff emoting during the choruses. In the verses, the band show that they can
actually write some decent music, but when it hits the chorus, it is just a four-note thrashing guitar in the low register.
This is the part where the guy in the WB show beats up a car with a baseball bat during a downpour of rain. Feel the emotion.
“Escape”
is what I wish I could do right now instead of listening to this. Again, it’s formulaic and is more a collection of
sounds and noises rather than music with some fits of lyricism scattered throughout. “Just One” is in the same
vein but it doesn’t have any pretension that it is anything but a thrasher song. It starts out that way and keeps it
up. It’s simple but enjoyable because, unlike some of the other tracks, this one remains consistent in its approach.
Too
many guitars are trying to compete with one another, a sure sign of overproduction. You really get the feeling that the engineers
had to piece a lot of stuff together. There are only four band members, but at times it sounds like there are at least three
or four guitars involved, not including the bass. It has the effect of making each song sound exactly the same, but at a level
far beyond simply being a collection of songs on an album. It’s really hard to pick anything out except the ballads.
This is because they keep it simple, so that anyone with a slightly discerning ear can pick out each instrument. This is the
case on “Disappear,” “Lucky” and “The Reason,” which is a genuinely good song with an
even better video, but it is an island on this album of the easy way out. Of course, “The Reason” is too catchy
for its own good.
Overall, these guys are overproduced and either don’t have enough confidence in their own
abilities or their management has none in them. There is some good stuff here, but much of it is buried under an avalanche
of guitar noise. The ballads help to get rid of this, but they are few and far between and Douglas Robb’s lead vocals
can get a bit strident at times, especially when he is trying to emote in the upper register. Save your money and just listen
to Hoobastank on the radio or at your local university. Somebody’s bound to have it.
|
|
|